Transamerica P International地址

Transamerica P International地址

不想在很多人的时候去旅游，选了下月去。去圣保罗Transamerica P International好不好啊？圣保罗Transamerica P International附近什么东西比较明显，圣保罗Transamerica P International在哪？？这个一定要算在行程内。

Transamerica P International 是商务便利型宾馆，位于圣保罗Jardins（哈尔

去圣保罗Transamerica Executive Perdizes

圣保罗Transamerica Executive Perdizes怎么样？之一次和闺蜜一起出游，去圣保罗Transamerica Executive Perdizes，怎么找？圣保罗Transamerica Executive Perdizes是哪的？ 这次没好好看行程，麻烦大家告诉我下

Transamerica Executive Perdizes 位于圣保罗Consolacao-Cerqueira Cesar（孔索拉桑-塞基耶拉塞萨尔）附近，靠近West Plaza、市剧院和圣保罗艺术博物馆

下面分享相关内容的知识扩展：

Transfilm是美国什么品牌？

美国Transfilm TFB4040-78FR抗污染型苦咸水淡化反渗透膜

介绍旧金山[San Francisco]的英文短篇

介绍旧金山[San Francisco]的英文短篇，一千词以内，希望有关于1906年的灾难以及城市现在的标志性建筑的，非常感谢。（如有录音请发送到 lianggui009@163.com ）再次感谢！
Room One: San Francisco in the New Century

The dawn of the twentieth century was a time of great hope and prosperity in Northern California. Everyone was looking forward to the new century that would surely be the greatest in the American West's very short history. Few looked backward to the Native American tales of movements of the earth, the fires that had destroyed San Francisco numerous times in mid-nineteenth century, and the destructive earthquakes of 1865 and 1868 in the Bay Area. There were a few muted warnings. A catalogue of prior earthquakes in California was published in 1898 by the Smithsonian Institution, but few libraries bothered to stock it.

The fire chief wanted a backup water system and the insurance industry thought it was "inevitable" that the city would again burn to the ground. Life went blithely on in the "queen city" of the West. With a population of 400,000, San Francisco was the largest city in California and the economic capital of the West. The buildings were the tallest, the restaurants the finest, the entertainment, the most risque, and the factories the most productive.

Not all were well off, however. One in three inhabitants were foreign born. Immigrants from southern Europe and Asia were swelling the population and providing cheap labor. On the evening of April 17, 1906 the greatest single display of visible wealth in the West adorned the audience assembled at the Grand Opera House on Mission Street to hear the Italian tenor Enrico Caruso sing.

The weather was unusually balmy. Carriages and a few belching automobiles arrived at the entrance and disgorged their passengers. The jewels sparkled. The fashionable, high-necked gowns were vibrant. The men traded jests in the foyer while *** oking between acts. Supper was taken after the opera. A newspaper reporter trudging home in the early morning hours of Wednesday, April 18th noticed that the horses stabled at Powell and Mason Streets seemed unusually restless.

Grand Opera: The 1906 Season

San Francisco had long been a haven for creativity, as literature, photography, fine arts, and music all flourished there. The economic boom of the 1890s lent the bohemian city a gaiety that did not disappear at the turn of the century: With fortunes made and money flowing, wealthier San Franciscans turned their attention to culture. They were determined to refine their city's reputation and make it a recognized center for the arts. Their efforts were rewarded with the engagement of the Metropolitan Opera Company's production of Bizet's "Carmen." Staged the evening of April 17, 1906 at the Grand Opera House on Mission Street, "Carmen" was the most exciting cultural event of the season. The renowned tenor Enrico Caruso played the character of Don Jose; famed soprano Olive Fremstad was cast in the title role.

The Grand Opera House program for its 1906 season reflected the economic prosperity and high level of cultural interest prevalent in San Francisco at the time. Its cover is a stylish rendering of a couple in evening clothes, the woman in a long white dress and veil and the man in top hat and dress suit. The profusion of advertisements for material goods highlight the city's burgeoning consumer demands. Wealthy citizens had the funds, leisure, and inclination to don their best and patronize highbrow entertainment. Tickets to that evening's performance were expensive and difficult to find; their stubs marked both social standing and seat reservations

Wealth and the Wealthy

Mark Hopkins and Leland Stanford were one half of "The Big Four," industrial barons who made their fortunes through railroads (the other two members were Charles Crocker and Collis P. Huntington). During the 1870s, Stanford and Hopkins built enormous, ostentatious mansions on San Francisco's Nob Hill, a neighborhood dominated by the very rich. The two men personified San Francisco's easy-come economy, and they intended their houses as public monuments to their wealth and power. Completed in 1876, Stanford's residence consisted of 50 rooms and housed an art collection worth an estimated $2 million. Next door was the Hopkins home. Finished in 1878 after Hopkins' death, it was an artless melange of architectural styles that featured a profusion of spires, turrets, and other gingerbread details.

Stanford and Hopkins were both long dead by 1906, but their mansions remained as examples of the conspicuous consumption that colored San Francisco's already colorful reputation. On a more somber note, the buildings also symbolized the wide gap between social classes that only a great calamity could possibly narrow.

The Growth in Population

Due to increased foreign immigration and the rise of domestic industry, American cities experienced a population boom in the late 19th century. San Francisco was no exception. Its population had been increasing exponentially since the Gold Rush. There were less than 35,000 residents in 1852; by 1900, the US Census counted nearly 343,000. One of the leading factors of that growth was a steady stream of Chinese immigration during the latter half of the century. Not only did this phenomenon raise San Francisco's population, it inspired an anti-Chinese labor movement whose broad charges were illustrated by this lithograph.

Autographed by "C.M." and housed in the Bancroft Library's Robert Honeyman Collection, this piece used the "bird's-eye view" style common at the time. From a contrived vantagepoint on an unidentified hill, it shows San Francisco as caught in a triangle of Chinese immigration – Vancouver, BC being one point of entry, the docks of the Pacific Mail Steamship Co. the other. The city teems with Chinese who occupy all manner of industrial works, and across the sea looms the threat of China, illustrated as a sun-like visage with Chinese facial features and a queue. The message is clear: hundreds of miles of land and leagues of ocean were not barriers enough to thwart mass Chinese immigration. Moreover, it proved extremely popular, as the political movement culminated in the Chinese Exclusion Act of 1882. Yet the Chinese remained an integral part of the city's population and helped San Francisco to become the largest urban center in California.

Politics and Politicians

Large cities across America enjoyed strong-willed, if not nefarious, politicians. San Francisco enjoyed a different twist on this theme, a man behind the scenes. Of French and Jewish descent, Abraham Ruef was an intelligent, shrewd man who had been involved in politics for most of his *** life. He joined the Republican Party at the age of 21, but became disillusioned with the confines of formal party structure. Turning toward a more lucrative career as legal counsel for labor unions and other private clients, Ruef saw the advantage of matching politics with parallel enterprises. He established the Union Labor Party in 1901 and plucked Eugene Schmitz from the orchestra pit, successfully installing the former conductor as the head of a puppet city government.

Schmitz may have occupied the Mayor's seat, but Ruef was the real power behind the throne, directing his party to electoral victories in 1903 and 1905. Ruef and his followers declared that they stood for the common man against institutional eliti *** . Their opponents charged that the Union Labor Party meant graft and corruption. Yet as long as the city prospered, there seemed little Democratic and Republican leaders could do.

So Many Places to Stay!

San Francisco had been a destination since 1849 and the tradition continued during the following decades. Drawn to its beautiful location, climate, and economic opportunities, visitors and transplants alike flocked to the city. They often stayed in one of the beautiful high-rise hotels located downtown.

Opened in 1904 and named after the patron saint of San Francisco, the Hotel St. Francis was one of the city's newest buildings. With "an army of well-trained employees under chefs whose names are famous wherever Epicurus is revered," it catered to the whims of the wealthy traveler. According to this souvenir book, the St. Francis offered Tyrolean-themed cuisine, a 4000-volume library, and special tours of Chinatown, among other amenities. The opulence of the Union Square hotel reflected the city's prosperity on the eve of the earthquake and fire.

全部内容：http://bancroft.berkeley.edu/collections/earthquakeandfire/exhibit/room01_item06.html（点击左边红色“Room One Contents”下面的部分一一阅读）

在美国坐公交车 transfor是什么意思 在美国坐公交车要车票都会给吗 加州的也给吗

在美国坐公交车如果每天累计超过5dollar就不再收费。但怎么证明你累计应到5D。一般情况下如果知道自己今天坐车挺多。就在之一次付费时付5D。机器就会打出一张车票。拿着这张车票可以在当天换程任意车次。如果不满5D机器不出票。所以你每次付2D是不出票也就不可以连续乘车的。